gangster paradise is totally unlike what coolio once uttered. the latest ep from roush features four slamming tracks from dj w!ld that will get any dance floor to move side to side. this vinyl will appease every true underground house head. dj w!ld hails from dijon, france and has grown from hero of the parisian underground to resident at some of the world s most acclaimed clubs, including circoloco at dc10 in ibiza. he adds to his already expansive discography with this banger ep.

video for the title track “mango bay” was played for hours over stream by one of the top dota players rtz, achieving legendary meme status over night. “rush” and “rocky bay” are wrapping up the a side carrying faster tech grooves, while still maintaining the organic component (warmth) with bass, chopped vocals and woodwind leads.
b side starts off with “calypso”, one of the earliest x-coast productions - a steady house groove made from layers of keys, trumpet stabs, rich with hats and ghost snares - perfect to get the party started. being the last track, “don’t stop” is a hidden gem of this ep - what seems to be a hawaiian steel guitar classic, quickly transforms into a floor stomper, it’s a house beat reinforced by a classic rolling break, hammond stabs and samples of sterling void & paris brightledge’s “it’s all right”.

one side hardtechno and one side hardcore here :)
opening on a 152 bpm jumpfloor well named hard techno sober hardkicker...
then comes make my day, 162 bpm of another quiet sober hard techno, dancefloor mental talker. gently mental.
the b side starts on a french raving hardcore old school kicker. 195 bpm pityless funky hardcore :)
acid nightmare plays the same speed and quiet the same style of old school kicking hardcore... dry, rave, hard.
nawak is back! you better get prepared!

edna wright’s idiosyncratic “oops!” is one of the most sublime vocal refrains in soul music history. anchoring its host album’s leadoff cut, it sets the tone for a uniquely satisfying modern soul lp. indeed, whilst many of its ilk come laden with filler, wright’s one solo record is an exercise in elegant restraint, a concise killer. officially licensed and beautifully remastered for vinyl by celebrated engineer simon francis, it has been pressed on audiophile 180g vinyl for the first time and features the original iconic artwork. each copy includes a printed inner sleeve with a sumptuous black & white photo, full lyrics and heartfelt notes from edna herself.

gari romalis launches his own label imprint together with subwax and it s called future 1701! on this very first release you ll get 4 trax of high quality lo-fi detroit house bangers, carrying all of gari s very own trademark sounds...

12 inch white label repress

after three years and ten eps, amsterdam s will & ink label offers up its first full length from label favorite yaleesa hall and is called woodall. it explores texture, space and sound design in fascinating ways. since 2014 yaleesa hall has released four eps on the label and has become known for breakbeat laced stripped-down techno. this debut album finds the producer indulging a less dance floor focussed version of his sound, and one that is better suited to the full length format. explaining that his tracks most often start as -sound structures and experiments- that then get reworked for the club, here they stay closer to their original forms. woodall is sound sculpture that is electronic and synthetic but also made of real world sounds that are all truly absorbing. comes in gatefold sleeve.

“here come the horns” is the second studio album by the hip hop group delinquent habits. formed in east los angeles in 1991, the group are known for their latin-tinged rap, which is both melodic and hardcore. their first self-titled album movlp1338 was executive produced by cypress hill member sen dog and featured guest appearances by sen himself as well as puerto rican new york city rapper hurricane g.
their second album, “here come the horns”, again featured sen dog as well as sen’s brother, pioneering latin rapper mellow man ace. the album was also produced by sen dog and paul stewart. music videos were made for “this is la” and “here come the horns”.
pressing on audiophile 180 gram double vinyl.

the paris soulful disco scene is pretty hype right now and young pulse is definitely one of the key players. after three highly successful eps on gamm, young pulse is now set for his fourth release in the celebrated paris edits series. as always with young pulse we re served the blacker and more soulful side of disco and this time we get a proper prime time philly stomper on the a side and a uplifting feel-good boogie tune on the b. together with the new (and very beautiful) design we got another gamm winner folks!

billing themselves as crew of beat junkies raised in the legendary sugar shack studio,difusion make their first appearance on their own label in style with some righteous edits that make some decisive cuts where it counts for pure dancefloor dynamite. losing me is more of a rolling breakbeat inflected house workout with a deadly delay treatment on the vocals that drops in at just the right time to surely set a club off at any hour. get up is a more sultry cut but it still hits heavy, and be truthful and change it both offer up differing soulful angles to make this a highly versatile record for all kinds of situations.

special triple pack for all you dekadent lovers out there - contains three classic releases:
- dkdnt015: deo & z-man - no ep
- dkdnt018: dapayk solo - the viteng clan ep
- dkdnt019: deo & z-man - still no ep

daze makes a first appearance on torn hawk s valcron video label with a distinctive trio of adventurous jams hovering on the fringes of the dance. slums of grand central is certainly crafted with the party in mind, but it s a more introspective kind of get down for those who like popping at a slower tempo. torn hawk then takes the track to task with a tense revision that comes on like uneasy 90s electronica before decor lays waste to the surroundings with a slamming remix that pushes into hard techno territory while retaining the wistful tones of the original.

turbo recordings is proud to present the definitive collection of remixes for planet e, tigas collaboration with hudson mohawke from this years no fantasy required lp. in fact, were so proud and excited that were going to jump straight into blow-by-blow trackdescriptions while the passions hot. 01 dense & pika remix hypercolour label boss alex jones and chris spero (aka glimpse) deliver what canresponsibly be called one of the years biggest chart-topping smash remixes. this wasalso released on counter records as part of tigas album deal, so at worst you have aspare copy for your bomb shelter. 02 danny daze polyester mix we have been trying to get this miami-based producer on the label for years, and thisremix is the closest weve gotten so far. sometimes life is about compromise, and if youget enough future-italo-electro hits like this one you may be lucky enough to forget whatyou wanted in the first place. 03 mele remix dont you ever dare say that turbo doesnt care about young uk producers. until youstop for good, well keep tapping talents like mele, whose love of brazilian beats, classichouse tracks, and trans-atlantic hip-hop shine through on this mix. but while genre checklists are great and vital and exciting and so much of the reason we do what we do, its the music thats the pudding youll find your proof in.

after last years legohead ep which featured on fabric 085 mix cd, fatdog returns this time to his own label. with this is how i feel we get a bumper selection of sun soaked stylings with dub touches chugging along nicely with the type of shuffling slo-mo rhythms that he is becoming known for. flip leans into funkier old school & electro territories, conjuring up slightly darker moods yet still keeping within the fat dog flavour, ending with a flip from d train - keep on, to great effect.

strictly ltd vinyl only business from hot haus. fresh off the back of his blockbuster on mliu, dj steaw comes correct dropping 3 super deep houz jams on hot haus recs!

argot excavates an unexplored corner of chicago house history. lab work 91-96 collects the work of chris ike and john kardaras, two chicago producers with few records to their names but a wealth of compelling unreleased material waiting in their archives. the compilation highlights the pair’s particular vision and musical breadth across 14 tracks, drawn from a cd-r given to steve mizek in 2010 that was recently rediscovered. lab work was remastered in it’s entirety by dietrich schoenemann, sounding much at home today yet intimately connected to a formative time in chicago house history.

nice price deal !!! it s been a big shock for all of us to hear the sad news that our good friend andreas gehm passed away this year. his last big project is the -worldwide electronics- - series on his own label -cologne underground- which brings his friends from all over the world together. the idea of „worldwide electronics“ is to combine music from all over the world on one album (in fact, there will be a vol.2 too). the second idea was to combine well known artist with newcomer. when gehm, who runs cologne underground together with dbh distribution, ask the artist for tracks, he don’t ask for any specific style. the artist were free to deliver whatever they want. so at the end it ended up from deep house (oldschool definition, not edm definition) to acid. „worldwide electronics vol.1“ contains one track from greece (dimdj), germany (hardfloor), netherlands (baz reznik), england (perseus traxx), columbia(s.valencia) 2 tracks from japan (takeshi kouzuki and jin-cromanyon) and the first of hopefully a row of collaboration tracks from legowelt (netherlands) and elec pt.1 (germany) as „gehm & wolfers).

daniel meuzard aka feater originally hails from a small mountain village in the western austrian alps. the music producer with north african roots calls vienna his home for quite some time now. for more than ten years he has been involved in electronic music and working with analog synthesizers and classic tape recording. as an owner of a studio equipment shop he was able to get his hands on a wide variety of equipment. experimenting with different instruments and recording techniques helped him to develop his own musical ideas. in 2013 he released the 7inch vinyl single digital love on paradeis garage. in february 2015 he recorded his debut album waste the time on a 8track tape recorder and finalized it together with the producer and recording engineer sam irl in the summer of 2015. as a member of the finishgermanaustrian group skymax (along with stilettiana & sam irl) he released the vinyl ep trucker trans on his own label called international major label

white label - hand stamped - vinyl only - limited 300 copies pressing.
oops, he s done it again!&#148, titonton duvante is coming back to soul research with a second volume of work entitled recapitulate. the american producer, whose sound was born between detroit and chicago in the early 90s, loves to mix motorcity techno with the windy city s house vibes. recapitulate, part 2, is the worthy conclusion to his first ep: dry and addictive beats, synth and pad directly from detroit. get a glimpse represents a dancefloor soul with stunning basslines. the ending of the ep is melodical in take me down: an ethereal voice and the ideal atmosphere for soul searching ...

the tiger is back finally on full length again! the second studio album for tiger & woods not only marks a desired return to a specific format, but is also a huge leap forward in their area of expertise: their brand of fun and functional dance music gets broadened by influences from electronica, italo disco and up-tempo house, while keeping a groove that is distinctly linked to what some people refer to as boogie

donny benet. you know the name by now. man of the people. wielder of synths. virtuosic in style, both aural and visual. sydneys undisputed master of conduction through seduction. the man has an almost otherworldly control over his music and his crowd. one slap of the bass and the world melts at his feet. one outrageous synth solo after the other and the competition falls around him. donny benét makes you sweat. donny benét brings the heat. we are unbelievably honoured to have donny benet make his plastic world debut with working out, a pulsating ode to the things in life that get you perspiring

this one goes out to all the city people. to those who get inspired by the beauty of the reflections that the urban evening sun paints onto naked concrete. to those who know that there is a soul in all the things. we are with you.

it s not often that you get to see alan oldham stepping out under his own name. the legendary detroit artist is more commonly spotted as dj t-1000 (or designing iconic artwork for techno labels) but this time around he s sharing some more house-minded delights for finale sessions. -don t take me- is a haunting, mystical slice of deep house that fits into the finale narrative perfectly, while -wild- too offers up a distinctive approach that manages to be both refined and yet imbued with that detroit roughness. -breathe- may well be the best jam on the record, dealing in subtle threads of melody that conjure up the perfect dubby 4/4 confection.

continuing their uncompromising fusions of artists new and old, contort yourself return with a punishing array of industrial thuggery from hardware manipulators you wouldn t take home to your mother. novacom were last seen on slumdiscs back in 2014 and here bring a fast and gnarly rhythmic tryst to bear before jk flesh do their own snagging dance with oppressive synths and drums twirling into a heavyweight whole. french brutalists le syndicat then dominate the b-side with their confrontational bastardisation of techno and industrial, making the perfect source material for ekman to get nasty with on his remix of -maximalist-.

after excellent remixes for kalyma (connected 006) and terranova (connected 004) aaaron releases his own ep on connected. closely associated with rampa, kalyma and florian busse, amongst other minimal deep/tech house explorers, aaaron started collecting & playing vinyl at the age of 15. one year later he bought his first sampler and started producing. moving to berlin in 2003 expanded his knowledge to electronic dance music. berlin was start- of-the-art for genres like house & minimal techno back in these days. in 2013 aaaron released “feelin this”, his highest selling single so far which was released on defected records and was played & gained broad support from jamies jones, mk, hot since 82, claptone, tensnake, waifs & strays, rampa, re.you and many more. after this,he released in 2014 splendid on get physical music followed by another cutting-edge ep for defected records named -what makes you itch. in 2015 he released whatcha say on jena s fatplastics label which sven va&#776,,th included in his sound of the 16th season ibiza compilatio

atrocity exhibition ist der neueste höhepunkt in einer langen serie von highlights: im verlauf der letzten jahre hat danny brown mit vielen hochkarätigen künstlern von purity ring bis rustie, von schoolboy q via e-40 bis hin zu ghostaface killah gearbeitet. für den posse-track detroit vs. everybody tat er sich mit eminem, dej loaf, royce da 59, big sean und trick trick zusammen, und auch den legendären the avalanches lieh er für ihr comebackalbum dieses jahr seine stimme. da er auf atrocity exhibition kein blatt vor den mund nimmt und gewissermaßen die hochprozentige essenz seines kreativen ansatzes herausdestilliert, hat danny auch die wahl der gäste ganz genau darauf abgestimmt: ihren schlangenhaften gesang steuert kelela im fall des wahnsinnig finsteren from the ground bei, mit b-real von cypress hill ist ein alter hanf-fachmann für die tiefentspannte hook von get hi verantwortlich, und mit earl sweatshirt, kendrick lamar und ab-soul treten gleich drei junge hochkaräter für das ominös schillernde really doe zu ihm ans mikrofon, die er derzeit für die besten rapper hält, die es momentan gibt.

this new 7” from tugboat editions is a modern funk all star collaboration with the east coast’s saucy lady on vox, tokyo’s yuki monolog kanesaka on production, san fran’s k-maxx on shredding guitar and vocals plus socal’s throwback zack on the talk box. this munster mega piece will keep you feeling like saturday all week long… until you get to the flip side… straight sunday morning vibes, whether getting in or out of the sheets!

reiner witzel is a german jazz musician born in mannheim. he is said to be one of the best jazz-sax-players nowadays and won several awards. reiner witzel worked with well-respected artists amongst others defunkt @ new yorker knitting factory, with fela kuti @ shrine in lagos, in jazz clubs of tokyo and stadiums in dubai. moreover he played with the bundesjazzorchester, philipp van endert (urban lyrical), the gil evans orchestra, marla glen, kristi stassinopoulou, the hr-bigband and fury in the slaughterhouse. besides his work as a musician he is also busy as a photographer and portrayed lionel richie or roger cicero, a. o..

fresh off releases on bastard jazz, kat and lumberjacks in hell, phil gerus is about to blow up and these 4 tracks on tugboat edits demonstrate why. “let me love you” opens the a side, followed by the neu deutsche welle of “mistress uniform” while “get funky…” and “cyanide” keep the party going! hand stamped, limited edition of 400.

set apart from the underground electronic trail we are used with, atipic proposes vincentiulian for its second release.
002.1 harvests energy from the crisp and simple kick pattern to break the steady rhythm into scarce drum rolls and haunting tones. side b chooses the same phonic road. 002.2 shares vincentiulians minimalistic approach: visceral on the low frequency spectrum, a perfect foundation for the somehow familiar theme. 002.3 deconstructs even more, using as little resources as it can get: shadow like reverbs, glued together in a sketch that invites your mind in a twisted hide n seek game.
solid 3 tracker, a proof for vincentiulians skills on masterfully juggling with simple loops.

jongno edits is back with a second volume of edits of deep korean cuts dug out off the shelves at hwang hak dong market. again limited to 300 copies of analog mastered wax, get it while the heat last! down comes out with bells and whistles, blurring the lines between the summers of rimini and the dancehall of itaewon. its a slow burning affair calling all the heads to get down. on the flip space is the place, the uptempo cosmic belter that will send you to the sky and back. this one is a shooting star for soju infused late nights, when the neons become lasers and the dance ?oors are free from gravity

there s an abundance of boogie-infused heat pouring out of freekwency s latest offering to keep you warm on those cold winter nights. ale chambers lays down a smooth, passionate vocal line on the title track before we get treated to some excellent alternative versions. the -first touch- mix is a buffed up jam that brings the electro funk into a leaner club-ready situation, while magic touch and luvraw work a tougher house thump underneath chambers vocal on the b-side. not content with making a peak time killer out of the original, the pairing also turn in a sublime ambient mix with the drums replaced by swirling, dubbed-out synth lines.

music for swimming pools proudly presents it s first release, and who better to get the ball rolling than reverso 68. pete herbert and long time musical partner phil mison come together with three new tracks and a rework of their first ever release piece together. originally released on specialist interest recordings and then promptly picked up by eskimo recordings who gave the part two version exposure to a wider audience, we thought it was about time part one was given a new mixdown and polish.. and the results were superb! .. a freshly served version of this seminal mid tempo afro/80 s inspired classic. and onto the new productions, first up red day heads straight down italo alley with chunky slo mo drums and some infectious synth action. buzara heads into typical reverso territory, and a nod to frontera del ensueno with grainy flamenco guitars, loose percussion and old school house synths for the dancefloor.. and finally orange sky rounds things off with a lush hypnotic afro percussive work out. . we recommend you test the water.

sean sounds, born in the music trenches of chicago, has been rockin parties since the early 80s. known on the chicago scene as mr. bringtheheat, sean s music selections and playing style has filled dance floors for decades. this old school dj loves his wax so you never know what to expect when he blesses the tables but he never disappoints. sean sounds has unlocked his music vault to begin releasing edits and remixes that has rocked the crowds for years in his bringtheheat series on the street edits label. this series is a must have for djs who like to keep the dance floors packed.

the second release by crazy addict recordings comes from the label’s creator, Álvaro pastore and presents 4 original, high quality pieces that one can get lost in, like reliving a story. the first track, cocotero, has melodies with synthesizers, rhythmic sequences and a lot of energy for the summer. next, recalling dreams plunges you into a story of deep melodies and atmospheric sounds. hundreds of drops brings you back to a season of fresh and enveloping sounds and rhythm, and at the end cinnamon stick takes you to the deepest part of yourself with transcendental sounds and tech rhythms. enjoy this release, we enjoyed creating it for you. cocotero will be released in fall 2016.

spell pets backwards to get step. spell step forwards and you get pets going back to basics. step is the new vinyl-only label from the founders of pets catz n dogz with a focus on the rawest forms and root functions of dance music. step searches for the fundamentals with under-theradar house and techno thats not afraid to be rough around the edges. its all about the music.

he cd included in this vinyl edition features the 14 tracks in the same order short info: cerrone is one of the main architects of disco music. his influence is well known around the world and a new release will soon be added to the monument that his discography represents. during 3 years, he travelled back and forth to london, paris and new-york to record ‘red lips’, working with some the most promising young artists (kiesza, yasmin, brendan reilly), collaborating with well-established stars (aloe blacc, alexis taylor from ‘hot chip’) and also worldwide famous legends nile rodgers and tony allen. get ready to dance, the king of the night is ready to claim back his throne.

the label owners of enough! music will tell the next story with their music project.
the following releases are bind together witch each other through the same story. each release gets you closer to the whole story. enjoy listening to the invited second artist digitaline (cadenza, get physical, raoul). four groovy, glittering tracks from eveline fink and digitaline are in the right direction in to your heart. the secret of the whole ep is the concentrated passion.
enjoy our second journey !

going back to classics could fall so easily, luckily for skudge presents, the persistent and class-act of mark broom leaves the mediocre in its rubble. eric cloutier: broom is a legend. i can t even count how many of his records i own. both of these are pure fire loving it! the kicking a-side, moments1, with the high paced energy and flirtations with the dutch classic style of techno-house crossover brings a smile upon djs and dancers alike - without going too much into nostalgia, this track is sure to find its way through the peak times. moments2 on the flip submerges deeper into this records vibe, with a progression that throbs more than kicks, with a saw tooth lead that keeps the moody atmosphere intact. a sure-shot 2 tracker is what we need and what we get

vaghe is a man of few words. he wanders, seemingly endlessly, through a lonely, gargantuan labyrinth of concrete and steel, fighting off ghosts and other futuristic nightmares, searching only for something called the full stream ahead. who is this quiet, determined man and what are these ghosts he seeks? the small communities he finds tucked into the crevices of this towering, dystopic ruin hardly give him leads on his treasure, driving him to find larger enclaves of civilization where people can reveal more about the world he lives in and the quarry he seeks. if vaghe is going to find the treasure he seeks, he will need more help and information than the inhabitants of these beleaguered outposts can offer. he needs to find a larger cluster of civilization, but he’ll have to survive the trip to get there, first… following his 2014 ‘sweet sixteen’, and his 2015 ‘abstract speed + sound’ other people is pleased to announce the full stream ahead: the prologue by turin’s daniele mana aka vaghe stelle. previously associated with italian label gang of ducks and a current member of production group one circle with fellow nationals lorenzo senni and a:ra, daniele’s roots in the emerging italian production scene run deep and place him at its center.

nice price deal !!! bombis records comes out of hibernation (we mean only from the winter months) to shake off your cobwebs and get the heat back into you on the dancefloor with 2 special cuts.(yes dave watched that film too many times and got carried away before you ask) we invite the one and only mr jamie jones for the remix, and boy what a cracking piece of work and a real pleasure to have involved on the label.

some things just get better with age. house grooves vol. 1 mark a part in history, where a young move d felt ignited by the classic house music sounds of the day. strict rhythms and nu grooves forged masterful networks with bleeps and clonks, pianos helped synthesizing dopamine and the phuture was wide open. house grooves vol.1 embodies that special time and place with a bunch of vintage tracks saved from the abyss. respectfully edited and dusted with gloves, it features move ds sought-after magic moment i gave my love, a collaboration with mannheims house hero see-base, the bass line swing of babyphonk and a breakbeat-led remix by shan & gerd janson that tries to sound like it could have happened back them. the bottom line is: the past can make the future feel at home.

when the flowers bloom at the awakening of the season. with translucence shining like liquid stars decked out in glorious hues of pink, purple and blue. when the trees grow and the birds fly out. when they gently beat their wings, gliding upon the blue canvas of the sky. you get touched by the sounds and the beauty of it all. it lights that fire deep within you... reedale rise shows us the way of things,.. as it was then, and still is now.

doktu rhute muuzic (formerly roy hytower) has enjoyed a full career from his late teens to this present day, a career that spans over 50 years. his first experiences were singing around mobile, alabama. in 1962 he came to chicago, replacing mighty joe young as rhythm guitarist for otis rush. often adopting a soul-slanted sound, hytower cut a handful of 45rpm singles in the 1960s and 70s for several local labels such as avin, expo, brainstorm, and jiffy. in june 2016 his tune “song of deliverance” was featured on tramp’s “peace chant- compilation. in recent years roy hytower has self-released a couple of cds, however under his new moniker, doktu rhute muuzic. “i’m in your corner” and “tip jar” were released on two different cd albums. this is the only chance to get these two wonderful tunes on vinyl. don’t miss it!

soul clap records new directions in funk is back with a double a-side 7” of that electronic funk to get you ridin. after selling out of 500 records of the first edition, round two is another 500 record limited run on purple vinyl.

“steven tyler” - a title derived from the combination of both artists first names . scud one (steven) and t-white (tyler) focus on the integration of beats, interludes and spoken-word comedy skits delivered with absurd - and sometimes sardonic - wit. it’s a packed album, filled with colorful sounds, spacey artwork and irreverent humor throughout. as a collaborative effort, it showcases the strengths of both its producers, and makes for a unique blend.
pressing on transparent, green coloured vinyl.

luv*jam presents dream house tropicana volumes, dream of tropical palms trees, turtles and waves. blind jacks chief blorper ‘gnork’ hooked l*j up with a secret agent named aleksandir - this very person is here for you now, with his debut record ‘the turtle nipper’. it’s not just an ep, but a mini album of nippiness! get swimming with the turtles on a crest of a wonky wave from istanbul to bristol via terrapenia. limited hand stamped box turtle bonanza.

nachtbraker is back! its been a huge year for the amsterdam deep house juggernaut who returns to dirt crew with his all new and colorfully titled really ties the room together ep. constantly on the move, hes found time between touring throughout europe, asia and south america to continue to push his a-typical house sound forward with this years heist release and his quirky jam busy bee that was featured on our deep love 100 compilation. this three tracker is jam packed with bouncing club tunes and a whole lot of flange. things kick off with the title track really ties the room together. it twists and turns over an unconventional but irresistible groove, shimmying shakers, brass stabs and a serpentine riff work together creating a super tight dance floor cut. rew begins somewhere in deeper territory, suspense building beneath the clouds, a rumbling bass rolls in from over the horizon before a glorious funk guitar blows the whole thing wide open, letting the suns rays burst through and that familiar nachtbraker good time energy shine in. the rerub of rew is something altogether new from our deep house protagonist, a break beat and casual groove guide gently towards an ever intensifying acid trip. dont be fooled by the lovely deep chords, things get nasty in the end. its best to expect the unexpected from our adventurous resident producer, and this ep is no exception.

newborn munich based label slam city jams comes around the corner with its first release from young gun gonima straight outta montreal, canada. his grids ep? an exciting mixture of swinging distorted drums, catchy melodies and hazy atmospheres. you can definitely spot gonima s passion for dx7 adventures, analog drums and tape hiss right here. opener -grids- starts off with lush synth blips, 707 drums and a bassline bootsy collins would give high-fives for. -subdivided- is one of these tracks that shows you that it doesn’t need more than a few elements to get you going: a rough kick drum, cowbells and a smooth pad that gets slapped by just one bass note. the last original on b2 is the ambient-like -organ tutorials-, which shifts your mind directly to outer space. and as if all this wasn t enough, someone really special did a great remix job – khotin from 1080p fame, who gave the a2 cut a treat with his unique trademark sound. four house and ambient tracks both for the floor and the couch. or as gonima puts it: -an ep that has the sound of visiting home in the winter and rediscovering environments frequented in the past, birthing previously obscured memories. the sounds within are a ritual dance to stay warm through the procession of the seasons-